Tag Archives: 52

Comic Book Noise 249: How I Would Reboot The DC Universe

Host Derek Coward talks about the strange a lot of people are having about the upcoming DC Reboot and goes into detail about how he would handle things if he was in charge of the DC Universe.

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Feedback for Episode 203

Great10

Image via Wikipedia

In the forum thread for Episode 203, Jason Wood from the 11 O’Clock Comics podcast posted this:

“Fun episode Derek.
I listened today while driving around doing some errands.
You probably already know this, but Great Ten sold so terribly that it’s actually a surprise they kept it 9 issues and didn’t cut it off sooner.
11/2009: The Great Ten #1  of 10 — 13,159
12/2009: The Great Ten #2  of 10 —  8,760 (-33.4%)
01/2010: The Great Ten #3  of 10 —  7,458 (-14.9%)
02/2010: The Great Ten #4  of 10 —  6,812 (- 8.7%)
03/2010: The Great Ten #5  of 10 —  6,555 (- 3.8%)
This is among the worst selling DC universe titles ever. I haven’t read it myself so I can’t speak to the quality and I know you’re enjoying. But this is just one of those books that was either poorly marketed or just didn’t resonate with buyers.”

Unfortunately for me, I didn’t know the sales numbers for The Great Ten. If I had, I probably wouldn’t have gotten to attached to the title and the characters. I responded with:

“Damn, those numbers make me sad. This just reinforces my belief that while they say different superhero comic book fans do NOT want differently told stories about new characters.

The storytelling is more like the first season of LOST than something like Blackest Night (at least what I read of BN) or Secret Invasion, which are straight forward ‘bad guys attack, good guys fight back’ stories.

It was written by an up and coming writer who was on a major project (Countdown may have sucked in spots but it was definitely major) and on a critically favored book (R.E.B.E.L.S.) instead of one of the usual suspects (I understand why Morrison, Johns, Bendis and Millar have been in charge of their respective universes, but usually I have enjoyed more of the tie-ins not written by them than their main minis).

The characters were created within the past few years instead of the past few decades. 52 was only four years ago.

The next time I see creators like Erik Larsen or Tony Harris talk about how people need to try new things, I will think back to the complete and utter failure of The Great Ten. Not only was it a sales disaster, but this failure has also proven that it makes no sense for me to support anything new in the single issue format. For the past few years, my pull list usually consists of miniseries (The Great Ten, Daytripper, Tangent: Superman’s Reign, etc) or indie books (The Sword, 28 Days Later, True Story Swear To God, etc) because I know that anything even slightly mainstream will be collected at a later date.

Now, regardless of whether I feel it is worth supporting, I will just have to wait for the trade. If it never gets collected, oh well, bad for me. And if I forget to buy the trade, then oh well, bad for them.”

I wrote that and crossposted here, so that from this moment on if anyone asks me where I stand on the “Big Two needs to freshen things up” argument, they can just read this and come to their own conclusions.

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Comic Book Noise 157: Doing It Derek Coward Style

Host Derek Coward puts forth his wants for a new/old type of comic book collection and the titles that he would use.

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Comic Book Noise 155: The Best of 2008, Part Two

Host Derek Coward finishes his look at the best of 2008 by talking about the titles that he has heard good things about but has never checked out yet, best miniseries that didn’t finish in 2008, best #1 comics of 2008 and the best graphic novels.

Related links (*-Amazon link, so help a brother out):
* Rasl Volume 1: The Drift
The Boy Who Made Silence
* House of Mystery
* Young Liars
* Captain Britain and MI:13
’76
* Tangent: Superman’s Reign
The Infinite Horizon
Stephen King’s The Stand: Captain Trips
* The Twelve
* Love and Rockets: New Stories #1
* Madame Xanadu #1
Comic Book Comics
* Locke & Key
Kick-Ass
* Man With No Name
* Queen and Country Definitive Edition
* Noble Causes Archives
* The Walking Dead, Vol. 8: Made to Suffer
* Hellblazer: The Laughing Magician

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Review: 52 Aftermath: Crime Bible: Five Lessons of Blood 1

Synopsis (from dccomics.com): A Monk of the Dark Faith is moving through the DCU, seeding evil in his wake, as he prepares for a final, potentially devastating act. Trailing him is The Question, who seeks to save the life of the author of a best-selling expose about the Dark Faith. But is The Question simply playing a part in a much larger game? All will be revealed when The Lesson of Deceit is foretold.

Writing: I’m not sure what I expected from this title going in. I didn’t know if it was going to be more in the vein of the Question/Batwoman vs Manheim/Intergang storyline from 52 or if it was going to be more like the O’Neill/Cowan Question series from way back when. It actually seemed almost like a story from an old EC book, or 1970’s House of Mystery. Either way, there was an old school vibe to it. I am really liking Renee Montoya as the Question.

Art: Part of the old school vibe that I get from the book is from the artwork. I used to despise Tom Mandrake’s artwork and now I cannot remember why. It used to be that I would avoid anything he was associated with, then I began to accept his art as a necessary evil if I wanted to read certain titles, and now, I find myself seeking out things that he is the artist on. I cannot remember why I didn’t like it. I cannot remember why I started to like it. I’m sure why I like it now, but I do and I cannot picture anybody else I would rather see on this title.

Letters: Excellent first page. The rest of the book was also very good. Steve Wands isn’t a name that is familiar to me, but I like what I see in this issue. [Clarification: The first page was lettered by Eric Trautmann. The rest of the book was lettered by Steve Wands. I apologize for any confusion.]
Colors: David Baron uses a very muted palette and like the rest of the artwork, I find that it works for this story.

Cover: It’s weird, but the version I have is not the version that was on DC’s website. The one on the website made sense, but the one I have was very confusing. It took me a while to figure out that it was a glowing Question holding a book.

Editing: I feel bad that I don’t know enough about comic book editing to know when something is done well, but I can easily point out spelling errors and times when the editor has obviously made a mistake. However, I didn’t find any glaring errors that the editor should have caught.

Overall: I found this to be a pretty good read and I cannot wait for the next issue. If you didn’t pick it up this last week, you should try and find a copy, because although I’m pretty sure that it will be traded one day (After all it has 52 in the title), this is something that I wouldn’t recommend waiting to read.crimebible1.jpg
[ratings]

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